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Albrecht Altdorfer View from Danube oil painting


View from Danube
Painting ID::  53774
Albrecht Altdorfer
View from Danube
mk234 ca 1520-25 30x22cm

   
   
     

Albrecht Altdorfer the battle of lssus oil painting


the battle of lssus
Painting ID::  56010
Albrecht Altdorfer
the battle of lssus
mk247 1529,oil on panel,62.375x47.375 in,158.4x120.3 cm,alte pinakothek,munich,germany

   
   
     

Albrecht Altdorfer Resurrection by Altdorfer oil painting


Resurrection by Altdorfer
Painting ID::  58197
Albrecht Altdorfer
Resurrection by Altdorfer
Resurrection by Altdorfer, 1518

   
   
     

Albrecht Altdorfer Crucifixion oil painting


Crucifixion
Painting ID::  58198
Albrecht Altdorfer
Crucifixion
Crucifixion (a scene rarely set on the banks of a large river) by Altdorfer, c. 1520

   
   
     

Albrecht Altdorfer St George and the Dragon oil painting


St George and the Dragon
Painting ID::  58199
Albrecht Altdorfer
St George and the Dragon
St George and the Dragon, 1510, Alte Pinakothek, oil on parchment, 28 x 23 cm

   
   
     

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     Albrecht Altdorfer
     German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.

     Related Artists::.
     | HOOGSTRATEN, Samuel van | BARBARI, Jacopo de | Bernard Boutet de Monvel |


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